{"id":18892,"date":"2021-11-24T23:13:25","date_gmt":"2021-11-24T23:13:25","guid":{"rendered":"https:\/\/www.acasinhadamatematica.pt\/?p=18892"},"modified":"2021-11-27T02:45:37","modified_gmt":"2021-11-27T02:45:37","slug":"o-museu-galileu","status":"publish","type":"post","link":"https:\/\/www.acasinhadamatematica.pt\/?p=18892","title":{"rendered":"O Museu Galileu"},"content":{"rendered":"<div class=\"seriesmeta\">This entry is part 2 of 6 in the series <a href=\"https:\/\/www.acasinhadamatematica.pt\/?series=a-mecanica-de-galileu\" class=\"series-639\" title=\"A mec\u00e2nica de Galileu\">A mec\u00e2nica de Galileu<\/a><\/div>\n<h4>Museu Galileu &#8211; Instituto e Museu da Hist\u00f3ria da Ci\u00eancia<\/h4>\n<p><a href=\"https:\/\/www.acasinhadamatematica.pt\/wp-content\/uploads\/2016\/06\/facciata_museo_1000.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"12558\" data-permalink=\"https:\/\/www.acasinhadamatematica.pt\/?attachment_id=12558\" data-orig-file=\"https:\/\/www.acasinhadamatematica.pt\/wp-content\/uploads\/2016\/06\/facciata_museo_1000.jpg\" data-orig-size=\"1000,701\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;13&quot;,&quot;credit&quot;:&quot;Sabina Bernacchini&quot;,&quot;camera&quot;:&quot;Canon EOS 6D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1456851256&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;20&quot;,&quot;iso&quot;:&quot;320&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Fachada do Museu Galileu\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/www.acasinhadamatematica.pt\/wp-content\/uploads\/2016\/06\/facciata_museo_1000.jpg\" class=\"alignright wp-image-12558\" src=\"https:\/\/www.acasinhadamatematica.pt\/wp-content\/uploads\/2016\/06\/facciata_museo_1000-300x210.jpg\" alt=\"Fachada do Museu Galileu\" width=\"600\" height=\"421\" srcset=\"https:\/\/www.acasinhadamatematica.pt\/wp-content\/uploads\/2016\/06\/facciata_museo_1000-300x210.jpg 300w, https:\/\/www.acasinhadamatematica.pt\/wp-content\/uploads\/2016\/06\/facciata_museo_1000-768x538.jpg 768w, https:\/\/www.acasinhadamatematica.pt\/wp-content\/uploads\/2016\/06\/facciata_museo_1000.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a>O pr\u00e9dio que abriga o museu \u00e9 o <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Palazzo_Castellani\" target=\"_blank\" rel=\"noopener noreferrer\">Palazzo Castellani<\/a>, que surgiu na regi\u00e3o do Castello d\u2019Altafronte \u2013 datado de finais do s\u00e9culo XI, era a fortaleza que protegia o porto fluvial no Arno e fazia parte da cerca antiga das muralhas de Floren\u00e7a. Est\u00e1 localizado entre a ponte Vecchio e a Piazza della Signoria.<\/p>\n<p>O Museu da Hist\u00f3ria da Ci\u00eancia foi inaugurado em 1930 e assim ficou conhecido at\u00e9 2010, quando passou a chamar-se <a href=\"https:\/\/www.museogalileo.it\/\" target=\"_blank\" rel=\"noopener noreferrer\">Museu Galileu<\/a>. Possui um grande acervo de equipamentos de laborat\u00f3rio, lunetas, mapas, globos e equipamentos did\u00e1ticos de ci\u00eancias (\u00f3tica, eletromagnetismo, microbiologia, medicina, etc.). Uma das atra\u00e7\u00f5es \u201ccuriosas\u201d \u00e9 composta de tr\u00eas dedos e um dente de Galileu Galilei.<\/p>\n<p>Foi o interesse das fam\u00edlias <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Casa_de_M%C3%A9dici\" target=\"_blank\" rel=\"noopener noreferrer\">M\u00e9dici<\/a> e <a href=\"https:\/\/en.wikipedia.org\/wiki\/House_of_Lorraine\" target=\"_blank\" rel=\"noopener noreferrer\">Lorena<\/a> nas ci\u00eancias naturais, f\u00edsica e matem\u00e1tica que as levaram a recolher valiosos instrumentos cient\u00edficos e b\u00e9licos juntamente com pinturas e outros objetos de arte e curiosidades da natureza, que constituem a ess\u00eancia do Museu. Sabe-se que <a href=\"https:\/\/it.wikipedia.org\/wiki\/Cosimo_I_de%27_Medici\" target=\"_blank\" rel=\"noopener noreferrer\">Cosme I<\/a> e <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Francisco_I_de_M%C3%A9dici\" target=\"_blank\" rel=\"noopener noreferrer\">Francisco I de M\u00e9dici<\/a> incentivavam a pesquisa art\u00edstica e cient\u00edfica, realizada nos laborat\u00f3rios do Gr\u00e3o-Duque, mas tamb\u00e9m os pr\u00f3prios membros da fam\u00edlia M\u00e9dici no s\u00e9culo XVII protegiam e acompanhavam pessoalmente as experi\u00eancias de f\u00edsica \u00e0 luz das descobertas de Galileu.<\/p>\n<p>\u00a0<\/p>\n<h5>Introdu\u00e7\u00e3o ao Museu Galileu<\/h5>\n<p>\u00a0<\/p>\n<p><div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/b5ezorIz1yE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=pt-PT&#038;autohide=2&#038;wmode=transparent&#038;listType=playlist&#038;list=PLF114CC92305DCCCF\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div><\/p>\n<div id=\"MuseuGalileu-link-18892\" class=\"sh-link MuseuGalileu-link sh-hide\"><a href=\"#\" onclick=\"showhide_toggle('MuseuGalileu', 18892, 'Mostrar texto da Introdu\u00e7\u00e3o ao Museu Galileu (Ingl\u00eas)', 'Ocultar texto da Introdu\u00e7\u00e3o ao Museu Galileu'); return false;\" aria-expanded=\"false\"><span id=\"MuseuGalileu-toggle-18892\">Mostrar texto da Introdu\u00e7\u00e3o ao Museu Galileu (Ingl\u00eas)<\/span><\/a><\/div><div id=\"MuseuGalileu-content-18892\" class=\"sh-content MuseuGalileu-content sh-hide\" style=\"display: none;\"><style>\nh3.hungryfeed_feed_title {}\r\np.hungryfeed_feed_description {}\r\ndiv.hungryfeed_items {}\r\ndiv.hungryfeed_item {margin-bottom: 10px;}\r\ndiv.hungryfeed_item_title {font-weight: bold;}\r\ndiv.hungryfeed_item_description {}\r\ndiv.hungryfeed_item_author {}\r\ndiv.hungryfeed_item_date {}\n<\/style>\n<script >\r\n<\/script>\n<h3 class=\"hungryfeed_feed_title\">Presentazione del Museo Galileo \/ Museo Galileo's introduction<\/h3>\n<p class=\"hungryfeed_feed_description\"><\/p>\n<div class=\"hungryfeed_items\">\n<div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=b5ezorIz1yE\">History of the collections<\/a><\/h5>\r\n<div>The instrument collections of the Museo Galileo of Florence are among the most important in the world. These collections bear eloquent testimony to the promotion of scientific research, first by the Medici dynasty, then by the Grand Dukes of Lorraine.\r\nFrom Cosimo I onward, the Medici Grand Dukes collected instruments of extraordinary beauty and innovative design. The Medici scientific collection was initially kept in the \"Sala delle Carte\" [Map Room] in the Palazzo Vecchio. It was later moved to the \"Stanzino delle Matematiche\" [Mathematics Study] and the adjoining \"Sala delle Matematiche\" [Mathematics Room] in the Uffizi Gallery.\r\nThe steadily-growing scientific collections remained in the Uffizi, along with masterpieces of the figurative arts and many natural wonders, until the mid-eighteenth century, when they were separated from the artistic collections.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: September 14, 2011, 1:36 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=p4e818ddiHs\">La formazione delle collezioni<\/a><\/h5>\r\n<div>Le collezioni di strumenti del Museo Galileo di Firenze sono tra le pi\u00f9 importanti del mondo. Queste raccolte conservano una testimonianza eloquente della promozione della ricerca scientifica esercitata, prima, dagli esponenti della dinastia medicea, poi, dai Granduchi lorenesi. A partire da Cosimo I, i Granduchi medicei vennero raccogliendo strumenti di straordinaria bellezza e di concezione innovativa. La collezione scientifica medicea fu inizialmente conservata nella Sala delle Carte di Palazzo Vecchio. Successivamente, fu sistemata nello Stanzino delle matematiche e nella attigua Sala delle matematiche della Galleria degli Uffizi. Continuamente accresciute, le collezioni scientifiche restarono in Galleria, accanto ai capolavori delle arti figurative e alle pi\u00f9 singolari meraviglie naturali, fino alla met\u00e0 del Settecento, quando le raccolte scientifiche furono separate dalle collezioni artistiche.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: September 14, 2011, 1:38 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=tK4rxYUyXWI\">Il primo museo scientifico<\/a><\/h5>\r\n<div>Trasferite nel Museo di Fisica e Storia Naturale, fondato dal Granduca Pietro Leopoldo nel 1775, le collezioni scientifiche medicee vennero arricchite da cospicue acquisizioni di nuovi strumenti ed apparati sperimentali. Il Museo di fisica divenne, sotto il suo primo direttore, Felice Fontana, un\u00b4importante struttura di ricerca e di diffusione della cultura scientifica.\r\n\r\nNel 1841, in occasione del Terzo Congresso degli Scienziati Italiani, fu costruita, presso il Museo di Fisica e Storia Naturale, la Tribuna di Galileo, nella quale furono sistemati gli strumenti pi\u00f9 importanti della collezione medicea, accanto a quelli inventati e utilizzati da Galileo e dall\u00b4Accademia del Cimento.\r\n\r\nNel 1860, in conseguenza dell\u00b4Unit\u00e0 d\u00b4Italia, il Museo di Fisica e Storia Naturale fu soppresso. Gran parte delle collezioni furono assegnate alle Facolt\u00e0 dell\u00b4Istituto di Studi Superiori. Rimasero nella sede originaria solo gli strumenti antichi e le raccolte di zoologia e di anatomia.\r\n\r\nNel 1925 fu fondata l\u00b4Universit\u00e0 di Firenze alla quale pass\u00f2 la propriet\u00e0 delle antiche collezioni scientifiche. Per garantirne la conservazione e valorizzazione, fu fondato nel 1927 l\u00b4Istituto e Museo di Storia della Scienza, che prese in consegna le raccolte di strumenti scientifici mediceo-lorenesi, nella sede di Palazzo Castellani che ancora oggi lo ospita.\r\n\r\nGrazie all\u00b4impegno dei primi direttori, Andrea Corsini e Maria Luisa Righini Bonelli, il Museo di Storia della Scienza di Firenze \u00e8 venuto progressivamente trasformandosi in un centro di conservazione, di divulgazione e di ricerca di riconosciuta importanza internazionale.\r\n\r\nNel corso degli anni gli allestimenti museali sono stati interamente riconcepiti; la biblioteca \u00e8 divenuta il centro italiano di riferimento per gli studi di storia delle scienze e delle tecniche e di museologia scientifica. L\u00b4Istituto ha inoltre organizzato convegni e seminari internazionali, corsi di formazione ed esposizioni destinate a prestigiose itinerazioni. Ha inoltre pubblicato un gran numero di volumi di ricerca e di divulgazione. Forte sviluppo hanno assunto nel contempo sia l\u00b4attivit\u00e0 didattica, sia la realizzazione di innovativi prodotti multimediali.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: September 14, 2011, 1:41 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=-aKw-AMjLBY\">L\u00b4allestimento attuale<\/a><\/h5>\r\n<div>Nel 2010 l\u00b4Istituto e Museo di Storia della Scienza ha assunto la nuova denominazione Museo Galileo. Le sue raccolte di strumentaria scientifica consistono di oltre 5000 pezzi, circa 1000 dei quali in esposizione permanente nelle 18 sale attualmente aperte al pubblico. L\u00b4allestimento si sviluppa su due piani di Palazzo Castellani. Il percorso espositivo \u00e8 articolato secondo criteri cronologici e tematici.\r\n\r\nIl primo piano \u00e8 dedicato agli strumenti delle collezioni medicee, dal XV al XVIII secolo, esposti in nove sale, nelle quali si osservano, tra l\u00b4altro, raffinati strumenti matematici, gli strumenti originali di Galileo (tra i quali gli unici due cannocchiali pervenutici tra quelli costruiti personalmente dallo scienziato pisano), gli strumenti dell\u00b4Accademia del Cimento e la straordinaria collezione di globi terrestri e celesti, dominata dalla monumentale sfera armillare di Antonio Santucci.\r\n\r\nNelle nove sale del piano superiore si dispiegano le testimonianze scientifiche dell\u00b4et\u00e0 lorenese dal XVIII al XIX secolo. Esse illustrano il cospicuo contributo toscano e italiano allo sviluppo dell\u00b4elettricit\u00e0, dell\u00b4elettromagnetismo e della chimica, la straordinaria serie delle cere ostetriche, il banco di chimica del Granduca Pietro Leopoldo e, infine, le bellissime e didatticamente efficaci macchine per la dimostrazione dei principi fisici fondamentali, costruite dall\u00b4officina del Museo di Fisica e Storia Naturale.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: September 14, 2011, 1:44 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=F4U3OJs0_-4\">The first science museum<\/a><\/h5>\r\n<div>The Medici scientific collections were transferred to the Museo di Fisica e Storia Naturale [Physics and Natural History Museum], founded by Grand Duke Peter Leopold in 1775. There, the collections were enriched by conspicuous acquisitions of new instruments and experimental apparatus. Under its first director, Felice Fontana, the Museum became an important center for research and diffusion of scientific culture.\r\nIn 1841, on the occasion of the Third Congress of Italian Scientists, the Tribuna di Galileo was built in the Museo di Fisica e Storia Naturale. The more important instruments of the Medici collection were showcased there, together with those invented and used by Galileo and by the Accademia del Cimento.\r\nIn 1860, as a consequence of the unification of Italy, the Museo di Fisica e Storia Naturale was shut down. Most of the collections were donated to the departments of the Istituto di Studi Superiori, the predecessor of the University of Florence. Only the ancient instruments and the zoology and anatomy collections remained in the original location.\r\nOwnership of the ancient scientific collections passed to the University of Florence at its foundation in 1925. To ensure their conservation and proper display, the Medici-Lorraine collections of scientific instruments were handed over to the Museo di Storia della Scienza [History of Science Museum]. The Museum was opened in 1930 in Palazzo Castellani, which remains its home to this day.\r\nThanks to the commitment of its first directors, Andrea Corsini and Maria Luisa Righini Bonelli, the Museo di Storia della Scienza of Florence established itself as an internationally recognized center for conservation, popularization, and research.\r\nIn recent years the Museum displays have been completely redesigned; the Library has become the Italian reference center for studies in the history of science and technology and in scientific museology. The Institute has organized international meetings and seminars, training courses, and high-profile traveling exhibitions. It has published a wide range of works of scholarly and general interest. The Institute has developed educational programs as well as innovative multimedia products.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: September 14, 2011, 1:45 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=TqI3xNOghmI\">Promoting the scientific heritage and disseminating scientific culture<\/a><\/h5>\r\n<div>In Italy, country of museums par excellence, and in Florence, internationally known as the unrivalled \"city of art,\" the presence of the Museo Galileo and its promotion of the history of science remind the millions of tourists that Florence and Italy have been centers of excellence not only for art and architecture. They have also been home to individuals and institutions that have contributed decisively to the advancement of technical and scientific knowledge. Visiting the Museum and its exhibitions, one becomes aware not only of this often neglected aspect, but also of the deep, continuous interaction between scientific research and artistic creation in Florence.\r\nThe Museo Galileo is committed to promoting the scientific heritage and disseminating scientific culture. These initiatives are of particular significance today, given the natural tendency of \"global\" tourism to select itineraries strictly confined to the highlights of artistic and architectural traditions.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: September 14, 2011, 1:48 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=2d_JrbkG33o\">The present setting<\/a><\/h5>\r\n<div>In 2010 the Istituto e Museo di Storia della Scienza changed its name to Museo Galileo. Its scientific-instrument collections contain more than 5,000 items, about 1,000 of which are on permanent exhibit in the 18 rooms currently open to the public. The displays cover two floors of the Palazzo Castellani. The rooms are arranged by time period and topic.\r\nThe first floor is dedicated to the instruments of the Medici collections, exhibited in nine rooms, where visitors can admire fine mathematical instruments, Galileo's original instruments (including the two surviving telescopes of those personally made by the Pisan scientist), the instruments of the Accademia del Cimento, and the extraordinary collection of terrestrial and celestial globes, dominated by the monumental armillary sphere built by Antonio Santucci.\r\nIn the nine rooms of the upper floor the scientific activity of the Lorraine period is illustrated by: the conspicuous Tuscan - and, more generally, Italian - contribution to the development of electricity, electromagnetism and chemistry; the extraordinary series of obstetrical waxes; the chemistry cabinet of Grand Duke Peter Leopold; and the beautiful and instructive machines for demonstrating the basic principles of physics, built in the workshop of the Museo di Fisica e Storia Naturale.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: September 14, 2011, 1:48 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=ohvHERYvAFY\">Valorizzazione del patrimonio e diffusione della cultura scientifica<\/a><\/h5>\r\n<div>Nell\u00b4Italia, paese dei musei per antonomasia, e nella Firenze internazionalmente conosciuta come irripetibile \"citt\u00e0 d\u00b4arte\", la presenza del Museo Galileo e la sua intensa attivit\u00e0 di diffusione della cultura storico-scientifica ricordano ai milioni di turisti che la visitano, che Firenze e l\u00b4Italia non sono state centri di eccellenza solo per la produzione artistica e per le realizzazioni architettoniche, ma anche il teatro delle attivit\u00e0 di ricerca di personalit\u00e0 e istituzioni che hanno contribuito in maniera decisiva alla formazione e allo sviluppo dei saperi tecnico-scientifici. Visitando il Museo e le sue iniziative espositive ci si rende conto non solo di questo aspetto spesso ignorato delle tradizioni culturali di Firenze, ma anche della profonda e costante integrazione che si \u00e8 qui registrata tra ricerca scientifica e produzione artistica.\r\n\r\nL\u00b4impegno del Museo Galileo di Firenze, nelle iniziative per valorizzare le testimonianze materiali della ricerca scientifica del passato e per diffondere incisivamente la cultura scientifica, rappresenta dunque un valore importante, soprattutto oggi davanti alla naturale tendenza del turismo \"globale\" a selezionare percorsi di visita rigorosamente circoscritti alle testimonianze delle tradizioni artistiche e architettoniche.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: September 14, 2011, 1:49 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=bBJAU5-QMHk\">Il Museo Galileo<\/a><\/h5>\r\n<div><\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: October 18, 2021, 1:30 pm<\/div>\r\n<\/div><\/div>\n<\/div>\n<p>\u00a0<\/p>\n<h5>As Salas do Museu Galileu<\/h5>\n<p>A exposi\u00e7\u00e3o articula-se segundo crit\u00e9rios tem\u00e1ticos em vinte salas. Uma das salas maiores cont\u00e9m uma cole\u00e7\u00e3o de antigos mapas-mundo e esferas celestes, com uma grandiosa esfera armilar em madeira esculpida e dourada utilizada para complexos c\u00e1lculos astron\u00f3micos, realizada por <a href=\"https:\/\/it.wikipedia.org\/wiki\/Antonio_Santucci\" target=\"_blank\" rel=\"noopener noreferrer\">Antonio Santucci<\/a> no s\u00e9culo XVI. A esfera armilar representa o universo de acordo com a <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Teoria_aristot%C3%A9lica_da_gravita%C3%A7%C3%A3o\" target=\"_blank\" rel=\"noopener noreferrer\">teoria aristot\u00e9lica<\/a>.<\/p>\n<p>A sala dedicada ao grande cientista pisano \u00e9 o cora\u00e7\u00e3o do Museu Galileu: <strong><em>Sala VII \u2013 O Novo Mundo de Galileu<\/em><\/strong>. Aqui, est\u00e3o expostos os \u00fanicos dois telesc\u00f3pios sobreviventes, entre os muitos constru\u00eddos por Galileu; a lente objetiva do telesc\u00f3pio atrav\u00e9s do qual, em janeiro de 1610, observou os sat\u00e9lites de J\u00fapiter pela primeira vez; os compassos militares e geom\u00e9tricos que desenvolveu durante os seus anos em P\u00e1dua; outros instrumentos de sua inven\u00e7\u00e3o e modelos educacionais que ilustram os resultados crucialmente importantes alcan\u00e7ados por Galileu nos seus estudos sobre a mec\u00e2nica. No centro da sala est\u00e1 o busto de m\u00e1rmore encomendado ao escultor <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Carlo_Marcellini\" target=\"_blank\" rel=\"noopener noreferrer\">Carlo Marcellini<\/a> por <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Cosme_III_de_M%C3%A9dici\" target=\"_blank\" rel=\"noopener noreferrer\">Cosimo III de M\u00e9dici<\/a>. Algumas rel\u00edquias de Galileu, o santo secular da ci\u00eancia, est\u00e3o tamb\u00e9m aqui expostas: o polegar, o dedo indicador e o dedo m\u00e9dio de sua m\u00e3o direita, e um dente, removido do cad\u00e1ver de Galileu quando ele foi transladado para o t\u00famulo monumental na <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Bas%C3%ADlica_de_Santa_Cruz\" target=\"_blank\" rel=\"noopener noreferrer\">Bas\u00edlica de Santa Cruz<\/a>.<\/p>\n<p>\u00a0<\/p>\n<p><div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/YAu0VF-lXB0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=pt-PT&#038;autohide=2&#038;wmode=transparent&#038;listType=playlist&#038;list=PL11E7DA5B2D60A34D\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div><\/p>\n<div id=\"Salas-link-18892\" class=\"sh-link Salas-link sh-hide\"><a href=\"#\" onclick=\"showhide_toggle('Salas', 18892, 'Mostrar texto das s\u00famulas das Salas do Museu Galileu (Ingl\u00eas)', 'Ocultar texto das s\u00famulas das Salas do Museu Galileu'); return false;\" aria-expanded=\"false\"><span id=\"Salas-toggle-18892\">Mostrar texto das s\u00famulas das Salas do Museu Galileu (Ingl\u00eas)<\/span><\/a><\/div><div id=\"Salas-content-18892\" class=\"sh-content Salas-content sh-hide\" style=\"display: none;\"><style>\nh3.hungryfeed_feed_title {}\r\np.hungryfeed_feed_description {}\r\ndiv.hungryfeed_items {}\r\ndiv.hungryfeed_item {margin-bottom: 10px;}\r\ndiv.hungryfeed_item_title {font-weight: bold;}\r\ndiv.hungryfeed_item_description {}\r\ndiv.hungryfeed_item_author {}\r\ndiv.hungryfeed_item_date {}\n<\/style>\n<script >\r\n<\/script>\n<h3 class=\"hungryfeed_feed_title\">Room overviews<\/h3>\n<p class=\"hungryfeed_feed_description\"><\/p>\n<div class=\"hungryfeed_items\">\n<div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=YAu0VF-lXB0\">Room I - The Medici Collections<\/a><\/h5>\r\n<div>Over the years the Medici Family, patrons of art and science, formed a superb collection of scientific instruments. Some elegant, refined pieces from this collection are displayed in this room. For nearly two centuries the instruments were kept in the Uffizi Gallery, alongside masterpieces of ancient and modern art. Begun by the founder of the Grand Duchy of Tuscany, Cosimo I de' Medici, the collection was further enriched by his sons and successors: Francesco I, interested mainly in natural-history collections and alchemy, and Ferdinando I, who bought numerous mathematical, nautical and cosmographical instruments. Cosimo II had the honour of adding Galileo's revolutionary instruments to the collection. Later, superbly original glass thermometers blown in the Palazzo Pitti glassworks were fabricated for the Accademia del Cimento, founded by Grand Duke Ferdinando II and Prince Leopoldo de' Medici. Memorable among the later Medici rulers is Cosimo III, patron of the mathematician Vincenzo Viviani, Galileo's last disciple.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 13, 2011, 12:05 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=eH9xYJKejP0\">Room II - Astronomy and Time<\/a><\/h5>\r\n<div>This room contains a rich array of instruments designed to measure time: sundials, nocturnals and astrolabes that showed the hour by day or by night.\r\n\r\nWithout clarifying what time is, astronomy has always striven to define its units on the basis of celestial phenomena, and to develop precise timekeeping instruments.\r\n\r\nDisplayed here, along with commonly used scientific objects, are highly refined instruments fabricated in the artisans' shops that began to flourish in the 16th century. In the Germanic states, for instance, the members of the Schissler family were renowned, and many of their products entered the Medicean collections. Among the Italian instrument-makers, Giovanni Battista Giusti, Stefano Buonsignori and the Della Volpaia family were outstanding. Especially important in this room are the instruments from the legacy of Viviani, Galileo's last disciple. This collection includes objects of many kinds, revealing Viviani's specific interests in the field of the astronomy.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 13, 2011, 12:13 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=9TsUpGu_oDw\">Rooms III and IV - The Representation of the World<\/a><\/h5>\r\n<div>A singular form of assimilation and updating of Ptolemy's Geography, one of the founding texts of modern geographical studies, was the ambitious project for the Guardaroba Nuova in Palazzo Vecchio, conceived by Cosimo de' Medici as a grandiose theatrum mundi. This project was then emulated by Ferdinando I in the Uffizi Gallery, with a Cosmographic Room containing representations of the Medicean domains and a great Ptolemaic model of the universe designed by the cosmographer Antonio Santucci. It is the great armillary sphere that dominates this room, surrounded by terretrial and celestial globes of the finest workmanship.\r\n\r\nIn the adjacent room are four globes by the Venetian cosmographer Vincenzo Maria Coronelli. Famous for the great size of his creations, he built enormous globes, nearly four meters in diameter, for Louis XIV, King of France,.\r\n\r\nAs Coronelli explained in his Epitome cosmografica published in 1693, these globes are formed of many hand-written or printed sheets of paper, called gores, glued onto a large ball made of wood and papier-m\u00e2ch\u00e9 coated with plaster.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 13, 2011, 12:27 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=fbewDdOUqg8\">Room V - The Science of Navigation<\/a><\/h5>\r\n<div>Having consolidated their power over Tuscany, the Medici turned their gaze toward the sea, hoping to win a place in oceanic navigation and develop trade with the East and West Indies. These ambitions favoured the development of maritime science in Tuscany, making Leghorn a major centre in the Mediterranean, equipped with arsenals, naval shipyards, nautical schools and workshops for the production of nautical instruments and geographical charts, destined mainly for the captains of the Medicean fleet, the Knights of St. Stephen. The entry of the English Admiral, Sir Robert Dudley, into the service of Ferdinando I marked the consolidation of nautical science at the Medicean court. His important collection of nautical instruments, displayed in this room, along with his imposing treatise on the art of navigation, Dell'arcano del mare (The Secrets of the Sea), published in Florence in 1646-1647, became part of the Medicean collection.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 13, 2011, 2:05 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=uEy01LspR7s\">Room VI - The Science of Warfare<\/a><\/h5>\r\n<div>In this room, numerous instruments linked to the science of warfare and military architecture are displayed. In the Renaissance, the spread of firearms had transformed battlefields into the theatre of geometric studies. Powerful mortars had compelled modifying the geometry of fortresses. Moreover, suitable knowledge of the ratio between the weight and range of cannonballs was now required, calling for the greatest precision in measurement and computation. Men of arms were thus obliged to acquire the basic mathematical principles needed for the perfect management of military operations. The display cases at the centre of the room contain instruments designed by the military engineer Baldassare Lanci, at the service of Cosimo I de' Medici from 1557. In the last display cases are the instruments bought in Germany by Prince Mattias while fighting in the Thirty Years' War as commander of the Medicean army.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 13, 2011, 2:14 pm<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=71y5rdlnET4\">Room VII - Galileo's New World<\/a><\/h5>\r\n<div>The room dedicated to the great scientist is the heart of the Museo Galileo. Here are displayed the only two surviving telescopes, among the many built by Galileo; the objective lens of the telescope through which, in January 1610, he observed the satellites of Jupiter for the first time; the military and geometric compasses he developed during his years in Padua; other instruments of his invention and educational models illustrating the crucially important results attained by Galileo in his studies on mechanics. At the centre of the room is the marble bust commissioned of the sculptor Carlo Marcellini by Cosimo III de' Medici. Some relics of Galileo, the secular saint of science, are also exhibited here: his thumb, the index finger and middle finger from his right hand, and a tooth, removed from Galileo's corpse when it was translated to the monumental tomb in Santa Croce.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 14, 2011, 7:43 am<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=hOlo3fhQRgM\">Room VIII - The Accademia del Cimento: Art and Experimental Science<\/a><\/h5>\r\n<div>This room contains many instruments utilized in research conducted by the members of the Accademia del Cimento. Founded in 1657 by Grand Duke Ferdinando II and Prince Leopoldo de' Medici, it was the first European society exclusively devoted to science, preceding the foundation of the Royal Society in London (1660) and the Acad\u00e9mie Royale des Sciences in Paris (1666). Following in the footsteps of Galileo, the Cimento conducted experiments to verify some principles of natural philosophy hitherto universally accepted on the basis of Aristotle's authority. The Academy concluded its work in 1667 by publishing the Essays on natural experiments, summarizing its activity. Significant results were attained in observations of Saturn, and above all in the fields of barometry and thermometry (here we see the superb thermometers and glass instruments used by the Academy). Numerous experiments were designed to verify the possibility of creating a vacuum in nature, and observing its effects on animals and objects.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 14, 2011, 7:53 am<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=T2YIMf-Vey8\">Room IX - After Galileo: Exploring The Physical and Biological World<\/a><\/h5>\r\n<div>Displayed in this room are various instruments used in some of the scientific disciplines that began to develop in the second half of the 17th century. At this time meteorology was progressing rapidly, thanks to perfected instrumentation for measuring variations in thermometric, barometric and hygrometric values. The systematic use of increasingly improved microscopes led to striking achievements in the fields of biology and entomology. Francesco Redi, a pioneer in these fields of research, brilliantly combined refined strategies of experimentation with scrupulous microscopic observations. Telescopes of ever greater size and more complex optical systems were also being produced by expert instrument makers. With such progress in telescopic instrumentation, astronomical observations led to crucially important discoveries.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 14, 2011, 8:19 am<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=P7uNLUEvppQ\">Room X - The Lorraine Collections<\/a><\/h5>\r\n<div>When Gian Gastone de' Medici died in 1737, the Habsburg-Lorraine family became the sovereigns of Tuscany. At the initiative of Grand Duke Peter Leopold (1747-1792), the scientific collections were rearranged. Starting in 1769, they were moved from the Uffizi Gallery to the Imperial and Royal Museum of Physics and Natural History near Palazzo Pitti, inaugurated in 1775 under the direction of Felice Fontana (1730-1805). To the original Medicean core collection were added, over the years, apparatus built in the Museum's workshops, such as dividing machines, various instruments used in physics, wax anatomical models, workbenches and cabinets, as well as precision instruments imported from abroad. Some of these objects can be seen here, in the original display cases of the Physics Museum. The Museum also had an astronomical observatory, directed at one time by the renowned astronomer and optician Giovanni Battista Amici (1786-1863). In 1841, under the direction of Vincenzo Antinori, the most ancient part of the collection was placed in the Galileo Tribune. The collection continued to grow until 1859, when the last Grand Duke of the Lorraine dynasty, Leopold II, left Tuscany, never to return.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 14, 2011, 8:32 am<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=UUZ9abCL2Jo\">Room XI - The Spectacle of Science<\/a><\/h5>\r\n<div>Spectacular effects were typical of many aspects of 18th-century science. The high society of the time, avid for innovation and entertainment, was fascinated by the phenomena of experimental physics. In salons and courts - such as the one we see replicated at the back of the room - the laws of nature were illustrated by travelling lecturers who taught science through spectacular demonstrations. Using air pumps, planetariums, solar microscopes and machines for studying impact, they offered courses in physics that avoided the abstruse language of mathematics. Their lectures, often staged like theatrical performances, were real social events. Over the course of the century, the newly invented electrostatic \"rubbing\" machines were used in amusing \"electric soir\u00e9es,\" where the demonstrators staged spectacular performances based on attraction, repulsion, shocks and sparks experienced by the ladies and gentlemen on their own bodies.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 14, 2011, 8:42 am<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=3r7CohzzNLk\">Rooms XII and XIII - Teaching and Popularizing Science<\/a><\/h5>\r\n<div>These rooms contain instruments and machines designed to illustrate the basic principles of mechanics, hydraulics, electrostatics and optics to a vast public. In the 18th century, the cultural vogue that stimulated curiosity for spectacular experimental demonstrations also led to a demand for new educational instruments. The models for studying mechanics displayed in the first room faithfully reflect those described in the treatises of the most famous eighteenth-century scientists and demonstrators. They remained in use, with few modifications, up to the first decades of the 20th century. In the second room are displayed educational instrumentation for optics, hydraulics and pneumatics, electromagnetism and electrodynamics. The industrial production of educational instruments, with centres of excellence in London and Paris, remained limited in Italy, so that numerous collections were formed mainly of instruments purchased abroad.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 14, 2011, 8:49 am<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=dEjy2Vlw-n0\">Room XIV - The Precision Instrument Industry<\/a><\/h5>\r\n<div>In the 18th and 19th centuries the production of precision instruments for astronomy, geodetics, surveying and navigation was concentrated mainly in Britain, France and Germany. The British instrument maker Jesse Ramsden (1735-1800) invented the first machine for precisely dividing graduated scales. In Bavaria, Joseph von Fraunhofer (1787-1826) produced the finest optical-quality glass ever made. In Italy, only Giovanni Battista Amici (1786-1863) was able to design original optical instruments, many of them displayed in this room. They include excellent microscopes and exceptionally long telescopes. These innovations went to improve the instrumentation of the astronomical observatories founded in Italy starting from the first decades of the 18th century. The Florence Observatory (1780-1789), annexed to the Museum of Physics and Natural History, aspired to compete with the great astronomical centres of Greenwich and Paris. It was equipped mainly with instruments of British make.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 14, 2011, 8:51 am<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=og9GLfh-LnM\">Rooms XV and XVI - Measuring Natural Phenomena<\/a><\/h5>\r\n<div>The triumph of the experimental method in the 17th century and the development of new instruments led to rapid progress in the study of natural processes, demonstrating the laws that governed them and revealing phenomena imperceptible to the senses. The first room contains instruments used for atmospheric measurements, for studying the phenomena of light, and for microscopy. Barometers and thermometers allowed increasingly precise measurements, while microscopes vastly enhanced the powers of vision, revealing amazing aspects of the microcosm. In the 18th century new instruments were invented, not only to observe nature, but also to act on it, creating new phenomena. Electrostatic machines attracted enormous interest, opening new horizons to scientific research. Then in 1800 the invention of the electric battery heralded the age of electrodynamics and electrochemistry. In the next room are displayed numerous instruments used to study electric current and its effects. Within a few decades, this study led to crucial discoveries, giving birth to electromagnetism, whose practical applications were to trigger a new industrial revolution.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 14, 2011, 9:01 am<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=UcUiI3AtMMs\">Room XVII - Chemistry and the Public Usefulness of Science<\/a><\/h5>\r\n<div>Starting in the second half of the 15th century, the Medici Court attracted many alchemists to Florence, providing them with avant-garde factories and laboratories. Of the immense Medicean collection of alchemists' instrumentation, very little has survived: only a few glass vessels used by the Accademia del Cimento (1657-1667), and the great burning lens donated by Benedetto Bregans in 1697 to Cosimo III (1642-1723) to experiment with the combustion of gemstones, displayed here on the stand at the centre of the room. On the wall behind it hangs the \"table of chemical affinities\", emblematic testimony to the Lorraine dynasty's interest in pharmaceutical chemistry. The numerous instruments used in theoretical and experimental chemistry also come from the Lorraine collection. Atmospheric chemistry especially, with the discovery of hydrogen and a method for determining the amounts of oxygen and other gases present in the atmosphere, favoured the development of new measuring instruments, such as Alessandro Volta's (1745-1827) electric pistol and hydrogen lamp, Felice Fontana's (1730-1805) evaerometro, and Marsilio Landriani's (1751-1815) eudiometer.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 14, 2011, 9:11 am<\/div>\r\n<\/div><div class=\"hungryfeed_item\">\r\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=DBZSMtDOCaQ\">Room XVIII - Science at home<\/a><\/h5>\r\n<div>In this room we can see how, starting in the 18th century, scientific instruments entered the homes of the upper classes. The vogue for experimental science created a new market for instrument makers who, along with one-of-a-kind pieces produced for collectors, introduced a series of standard instruments furnished with kits of accessories. In the large display case, containing an antique vetrine from Lorraine times, are compound microscopes, reflecting telescopes and electrostatic machines, which were used in the domestic sphere for cultural entertainment and self-learning. Some instruments - splendid table clocks, elegant globes, finely decorated barometers and thermometers - became furnishing items, displayed as symbols of cultural and social status. Extravagant objects such as telescopes for ladies equipped with ivory cosmetic boxes, and telescopes for gentlemen disguised as walking sticks, could also be found in upper-class homes.<\/div>\r\n<div>Autor: Museo Galileo<\/div>\r\n<div>Publicado: June 14, 2011, 12:43 pm<\/div>\r\n<\/div><\/div>\n<\/div>\n<p>\u00a0<\/p>\n<h5 style=\"text-align: left;\">Alguns recursos Galileanos do Museu Galileu sobre a queda livre<\/h5>\n<ol style=\"list-style-type: lower-roman;\">\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/biography\/GalileoGalilei.html?_ga=1.188320488.1949932603.1464640419\" target=\"_blank\" rel=\"noopener noreferrer\">Biografia de Galileu Galilei<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/room\/RoomVII.html\" target=\"_blank\" rel=\"noopener noreferrer\">Sala VII \u2013 O Novo Mundo de Galileu<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/TribunaGalileo.html\" target=\"_blank\" rel=\"noopener noreferrer\">Tribuna de Galileu (V\u00eddeo)<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/GalileosPortraits.html\" target=\"_blank\" rel=\"noopener noreferrer\">Retratos de Galileu (V\u00eddeo)<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/GalileosDisciples.html\" target=\"_blank\" rel=\"noopener noreferrer\">Os disc\u00edpulos de Galileu (V\u00eddeo)<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/GalileoMechanics.html\" target=\"_blank\" rel=\"noopener noreferrer\">Galileu e a Mec\u00e2nica (V\u00eddeo)<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/GalileoScienceMotion.html\" target=\"_blank\" rel=\"noopener noreferrer\">Galileu e a ci\u00eancia do movimento (V\u00eddeo)<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/LawFreefallingBodies.html?_ga=1.146858871.1949932603.1464640419\" target=\"_blank\" rel=\"noopener noreferrer\">Lei dos corpos em queda livre (V\u00eddeo)<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/object\/InclinedPlane.html\" target=\"_blank\" rel=\"noopener noreferrer\">Plano inclinado<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/InclinedPlane.html\" target=\"_blank\" rel=\"noopener noreferrer\">Plano inclinado (V\u00eddeo)<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/EquilibriumOnInclinedPlanes.html\" target=\"_blank\" rel=\"noopener noreferrer\">Equil\u00edbrio em planos inclinados (V\u00eddeo)<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/IsochronismFallingBodiesAlongSpiralOnParaboloid.html\" target=\"_blank\" rel=\"noopener noreferrer\">Isocronismo da queda dos corpos ao longo de uma espiral em um paraboloide (V\u00eddeo)<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/object\/ApparatusToDemonstrateIsochronismFallsAlongSpiral.html\" target=\"_blank\" rel=\"noopener noreferrer\">Aparelho para demonstrar a isocronismo de quedas ao longo de uma espiral em um paraboloide<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/ApparatusForGalileanExperiments.html\" target=\"_blank\" rel=\"noopener noreferrer\">Aparelhos para experimentos de Galileu (V\u00eddeo)<\/a><\/li>\n<li><a href=\"https:\/\/catalogue.museogalileo.it\/multimedia\/HourglassesWaterClocksCombustionClocks.html\" target=\"_blank\" rel=\"noopener noreferrer\">Ampulhetas, rel\u00f3gios de \u00e1gua e rel\u00f3gios de combust\u00e3o (V\u00eddeo)<\/a><\/li>\n<li><a href=\"http:\/\/193.206.220.110\/Teca\/Viewer?an=300951\" target=\"_blank\" rel=\"noopener noreferrer\">Discorsi e dimostrazioni matematiche intorno a due nuove scienze attenenti alla mecanica &amp; i movimenti locali, del Signor Galileo Galilei. Con una appendice del centro di gravit\u00e0 d\u2019alcuni solidi<\/a><\/li>\n<\/ol>\n<ul style=\"list-style-type: circle;\">\n<li><a href=\"https:\/\/brunelleschi.imss.fi.it\/bibliotecagalileo\/indice.html?_ga=1.184257510.1949932603.1464640419\" target=\"_blank\" rel=\"noopener noreferrer\">Galileo and the Universe of His Books<\/a><\/li>\n<li><a href=\"https:\/\/portalegalileo.museogalileo.it\/index.html?_ga=1.17954745.1295732646.1464723679\" target=\"_blank\" rel=\"noopener noreferrer\">GALILEO PORTAL<\/a><\/li>\n<li><a href=\"https:\/\/www.museogalileo.it\/\" target=\"_blank\" rel=\"noopener noreferrer\">Museo Galileo<\/a><\/li>\n<\/ul>\n<p style=\"text-align: left;\">\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"seriesmeta\">This entry is part 2 of 6 in the series <a href=\"https:\/\/www.acasinhadamatematica.pt\/?series=a-mecanica-de-galileu\" class=\"series-639\" title=\"A mec\u00e2nica de Galileu\">A mec\u00e2nica de Galileu<\/a><\/div><p>Museu Galileu &#8211; Instituto e Museu da Hist\u00f3ria da Ci\u00eancia O pr\u00e9dio que abriga o museu \u00e9 o Palazzo Castellani, que surgiu na regi\u00e3o do Castello d\u2019Altafronte \u2013 datado de finais do s\u00e9culo XI,&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":12567,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[411,4,3],"tags":[412,29,440,9,80,441,438,437,439],"series":[639],"class_list":["post-18892","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-astronomia","category-ciencia-e-tecnologia","category-matematica","tag-astronomia","tag-galileu","tag-historia-da-ciencia","tag-historia-da-matematica","tag-matematica-2","tag-museu","tag-museu-galileu","tag-plano-inclinado","tag-queda-livre","series-a-mecanica-de-galileu"],"views":1041,"jetpack_featured_media_url":"https:\/\/www.acasinhadamatematica.pt\/wp-content\/uploads\/2016\/06\/Galileu_Catani_1024b.jpg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=\/wp\/v2\/posts\/18892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18892"}],"version-history":[{"count":0,"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=\/wp\/v2\/posts\/18892\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=\/wp\/v2\/media\/12567"}],"wp:attachment":[{"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18892"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/www.acasinhadamatematica.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fseries&post=18892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}